Touch is an important aspect of painting. The temperaments of the artists in this exhibition can be felt through the way they have worked and touched the canvas, be it with a firm, decisive brushstroke, a light touch to create transparency, or the sanding off of layers to create flatness or roughness. A whole range of sensibilities can be stored in a painting, speaking to us even before we identify what is actually depicted.
Though keeping distance has become the norm in public life, in the realm of paintings, we can be reminded of physical encounters and intimacy, and enjoy a close perspective. The artists in this exhibition embrace the tactile and are interested in paintings as physical matter. Yet their focus is also on less tangible aspects of the artworks, such as luminosity, wonder, or absence. The importance of light can be felt throughout a range of different motifs and vocabularies.
The works have been collected from studios on both sides of the Atlantic. Due to the pandemic, not all artists are able to be present for the opening, yet their works offer us an artistic dialogue across borders. The paintings find a temporary home in the ruinous beauty of the Kunst- und Projekthaus Torstrasse 111. Located in the center of Berlin, the space evokes the time when the city offered itself as an artistic Freiraum.
Participating artists: Nikos Aslanidis, Thessaloniki; Thomas Brüggemann, Berlin; Michelle Jezierski, Berlin; Joseph Kameen, Aiken, South Carolina; Kiki Kolympari, Athens; Adrienne Elyse Meyers, Chicago; Grit Richter, Hamburg; Rubica von Streng, Berlin
Curated by Jurriaan Benschop for Kunst- und Projekthaus Torstrasse 111, 10119 Berlin. Project management: Ulrike Seyboth & Ingo Fröhlich, www.torstrasse111.de
Exhibition from 16 July till 30 August 2020.
Image above: installation view with works by Rubica von Streng and Nikos Aslanidis.