Salt in the Wound. Encountering Contemporary Artists across Europe

Salt in the Wound takes the reader on a journey through Europe, to visit contemporary artists in the places where they live and work. The book looks into the relationship between the work of the artists and their environment. What are the differences in cultural climate between Tallinn and Thessaloniki, between London and Lisbon? Through studio visits, exhibition reviews and conversations, the author reflects on the imagination of leading European artists, and how it relates to both local histories and the global art practice.

The book contains essays on the work of Miroslaw Balka, Anton Henning, Flo Kasearu, Bernard Frize, Anish Kapoor, Michael Borremans. Lia Kazakou, Sejla Kameric, Norbert Bisky, Monika Sosnowska, Janis Avotins, Luc Tuymans , Paula Rego, Klaas Kloosterboer, Irina Botea , Bridget Riley, Marc Mulders , Sean Scully.

Published by Garret Publications, Helsinki, 2019.

Order the book online through Amazon (USA), through Walther König (Germany, Austria) through Abebooks (UK), through Suomalainen (Finland) or find it in selected bookstores and museum shops around the world:

Berlin (Uslar & Rai, St. George’s), Düsseldorf (Kunst im Tunnel), Bonn (Kunstmuseum), New York (Mcnally Jackson, Printed Matter), Columbus Ohio (Wexner Center for the Arts), Bloomington Indiana (Friends of the Arts Bookshop), Los Angeles (Hennessy + Ingalls), Riga (Careva Gallery), Helsinki (Nide), Vienna (Walther König), Amsterdam (Athenaeum, Stedelijk Museum), Maastricht (Dominicanen) and others

Book sellers can order through Ideabooks, Amsterdam here



The Things of the World are Rock – Maria Capelo

The publication ‘The Things of the World are Rock’ brings together recent drawings and paintings of Lisbon based artist Maria Capelo. They were shown in the Pavilhão Branco in Lisbon earlier this year. The title of the exhibition catalog is borrowed from words by Cesare Pavese. The artist shares with Pavese a deep interest in landscape, and in the traces of life and history that can be observed in nature.

I visited Capelo’s exhibition in Lisbon and wrote in response the essay ‘Rock Solid Vivid’ which was published in the catalog, along with texts by Tobi Maier and João Pinharanda. The book is published by the Galerias Municipais in Lisbon.

“All the drawings bring our attention to the surface of things, and show structure, strong contrast. They are refined, we see the thinnest of lines and folds, like in a hand palm. What the works share is a transformational unpredictability and suggestiveness. The depicted motifs seem to be willing to become something else. A tree is a bone. A branch is a leg. A bush is a vulva. Stepping into the work, causes a chain of associations. “My work has always that approach, of observing, contemplating and reorganizing what you can see.” Capelo remarked. So she makes landscapes – but she also makes something else.” (fragment from the essay ‘Rock Solid Vivid’)