On June 5th, 2019, Salt in the Wound was presented in the Latvian capital Riga with a talk and discussion at Careva Gallery. With this event the gallery launched its art book store in the city centre, at Kalku Iela 24.
One of the chapters of Salt in the Wound is conceived in Latvia, as I was a resident at the International Writers and Translators House in Ventspils. From there I started to explore the Latvian landscape, history and habits, and the cultural environment. The result can be read in ‘Notes from Latvia,’ which recalls, among others, a meeting with painter Janis Avotins in his studio in Riga.
“‘Art shouldn’t be sentimal,’ Avotins says – partly because we’re talking about the relationship between his work and the history of Latvia. The figures he paints are based on photographs from magazines of the Russian era. At his studio I see folders full of neatly ordered cuttings, all images from a time gone by, the time in which he was born. He is interested in the postures of the people in the photographs, not in the individuals themselves. Or, you could say, he looks at the way people are specifically not individuals.” (fragment from ‘Notes from Latvia’)